BD image quality is still better than streaming, and some niche titles aren't even available on streaming services at all.
It's alright, just let it be. If the old one is lost, consider it as the end of its fate with you; you can always collect more in the future.
Satoru Gojou really is the popularity king—even my friends who don't watch anime know him, while the protagonist Itadori isn't as well-known outside the fandom.
From an industry perspective: The idolization of voice actors has brought a lot of revenue to the industry (concerts, merchandise), but at the same time, it has created an unhealthy fan culture.
From an industry perspective: price hikes by streaming platforms are an inevitable trend. However, there will eventually be a price ceiling. Exceeding it will lead to a loss of users.
Industry researcher here to answer: Manga sales are an important factor, but not the only one. The commercial potential of the IP (figures, games) is equally important.
33-year-old E-party member agrees. As I've gotten older, I've actually been able to better appreciate the emotional depth in anime.
Kowloon Walled City is a subject with great potential. It has a unique cultural appeal in the international market.
Industry perspective: JUMP+'s model (online + flexible schedule) might be the direction of Mirai. No need to work mangaka to death.
From an industry perspective: this policy will reduce piracy in the short term, but if localization is not improved in the long term, it will only lead to a loss of audience.